Dhokra is done by the process of lost wax casting technique.
Artwork is done with hand, without any technological advancement. Taking inspiration from nature and tribal past, mostly local decorative items and local deities are made from this craft. Examples of the lost wax casting techniques are found across the globe, but the coiled thread technique is unique to INDIA.
The traditional baskets provide a clue to its origin. The basket makers of INDIA would wind grass around a rope, which was then coiled into shape. The same technique was translated into metal. The various motifs made using the wax threads are ‘Chakri’ (spirals),ropes, waves and zigzags.
The natural beeswax retains its malleability even after cooling down, making it an excellent choice to create coiled shapes and miniature pattern. The texture of these wax threads will determine the final appearance of the metal product.
The uniqueness of Dhokra tribal art is that “No one can copy Dhokra. Each and every piece that these artisans create is unique in their special way”. No two Dhokra art pieces are alike, and every single art is painstakingly crafted to be one of a kind. With a slender body, thin hands and legs, and coiled surface ornamentation, Dhokra pieces look unique.
The beauty of Dhokra is that the art pieces are not perfect, there are only few talented people who can do this but it takes time to create each art and that is why the production is less. It is time- consuming, very detailed and intricate craft. The distinctive appearance of Dhokra craft is due to its antique and stark finish, and rustic look.
The dancing girl of Mohenjo-Daro (Harrapan Civilization) is one of the earliest dhokra artefacts that is now known.
The excellence of Dhokra appeals to travellers from all over the world and this unique craft represents the state internationally. Each figurine takes about a month to make.